by Christina Hinterberger | Nov 4, 2022
You have to see it to believe it. No narrative or weighty metaphors here, just extraordinary sensory evocations. We can find it all around us but rarely even notice, the most common form of plastic – polystyrene. In this remarkable piece of visual theatre, Andrea...
by Christina Hinterberger | Jan 15, 2025
Garry Starr is struggling to concentrate… Thoughts keep swinging like monkeys in the jungle. They pop in, swing past, drive through and start monkey parties. It is impossible for Garry to focus. He does love his monkeys, but they just get a bit much. Will Garry be...
by Christina Hinterberger | Nov 26, 2025
Wild and wacky, cheeky and chaotic, Monsterrr! Together with German theatre company TOBOSO, Wakenshaw creates a character who is wild, absurd and strangely relatable. The result is a fearless, wildly imaginative performance that lets young and old laugh at the things...
by Christina Hinterberger | Nov 4, 2022
‘Rabenmütter!’*, a sharp whisper German mothers dread hearing behind their backs. It expresses the ongoing pressure to live only for your children. In Raven, the collective still hungry pushes back against the idea that in order to be ‘good’ or ‘responsible’ parents...
by Christina Hinterberger | Aug 10, 2023
Clownery, dance, mime, physical theatre and visuality are the base of Receptionists where five star customer service is performed around the table and beyond. These two receptionists are fast-talking smooth moving professionals in the hospitality industry. They speak...
